Sep 6, 2015
1. What prompted you to write Wide Open Fairways? . . .The real driving force is that I’ve been traveling and taking notes and having thoughts and feelings about golf architecture for fifty years now and so as long as that continues I’ll be writing. . . . I love golf courses and I love the imagination that landscape inspires and so I thought I’d try my hand at a different approach. “Wide Open Fairways” isn’t about tournament courses and it’s not an account of routing or playing strategy. It’s about the beauty and character of interesting land – the land we’re lucky to be on when we play golf.
8. What three courses in North America would most benefit from a restoration?. . . . I really like it when a course that people thought was good and thought they knew gets so much better when its goes back to its design roots.... In a strictly public, municipal setting, I’d have to go with Sharp Park Golf Course in California, where despite some re-routing of holes there’s this amazing array of Alister MacKenzie work along marsh edges, dunes and in terms of alternate shot paths that the public would find fascinating. If course managers or the charitable trust there could ever commit the needed funds to implement a master plan, it would be just stunning. Restoration isn’t just a matter of member pride; it’s about public pride and respect, too.10. You write, ‘Heritage sells.’ Please expand on that concept. . . .. . . . The good thing about classical golf course design is that it has increasingly valuable cachet – like antique jewelry, or arts & craft furnishing and houses in the legendary design styles of Green & Green or Frank Lloyd Wright. . . . In classical design, you’re presenting heritage, craft work, meticulous attention to detail and integrating native land with historically imagined design elements. . .The value there is the uniqueness, the fun and challenge it provides golfers, and the fact that it is readily distinguishable from so many of its more modern competitor facilities in the region. So I think that a good argument for golf course restoration is that it makes business sense in an increasingly competitive golf market.
A Restorationist Manifesto"... Whenever I'm asked to name my favorite architects, I simply say, "Dead guys." There was something about their panache, their ego, their ability to utilize horse-drawn plows or mule teams and oxen - and no small cadre of immigrant labor - to create shapes that looked like they belonged as part of nature...And there was such an abundance of land back in the Golden Age of Golf Course Architecture, roughly from 1919 through 1939, that the classic-era designers could pick and choose among multiple sites rather than settle upon a bad piece of land. Small wonder that names such as Charles Blair Macdonald, Alistair MacKenzie, Seth Raynor, Donald Ross and A. W. Tillinghast are much in vogue these days. Increasingly, they are being recognized and venerated as visionaries worthy of respect, admiration, and meticulous restoration."